'The Sad, Proud Old Man Stared Eternally Out of His Canvas ...': Media Criticism, Scopic Regimes and the Function of Rembrandt's 'Self-Portrait with Two Circles' in John Fowles's Novel Daniel Martin

Research output: Contribution to journal › Research article › Contributed › peer-review

Contributors

Details

Original languageEnglish
Pages (from-to)705 - 732
Number of pages28
JournalAnglia
Volume2018
Issue number4
Publication statusPublished - 2018
Peer-reviewedYes

External IDs

Scopus 85058527406
ORCID /0000-0001-8960-0296/work/142257888

Keywords

Keywords

  • Postmodern Literature, John Fowles, Painting, Rembrandt