Moving Experiences — Towards a Conceptual Framework for Performative Artefacts in Museums

Research output: Contribution to conferencesPaperContributedpeer-review

Abstract

A challenge for museums is the curation of artefacts whose value and purpose is revealed only through their use or performance. The purpose of a scientific instrument, ritual object or artisanal tool, for example, may only be fully appreciated through their dynamic and interactive qualities. This applies in particular for artefacts that involve artistic or playful performances, such as musical instruments, tools for art making, toys or theatre puppets. However, despite their dynamic nature, conservation practices often necessitate that these objects be displayed in a static, "lifeless" state, detached from their former context and interaction with the audience.
In this work, we review existing conceptual frameworks, technologies and workflows for the digitisation, archiving, representation, and experiencing of performative artefacts. We then introduce the beginning of a conceptual schema designed to aid the planning and execution of performative artefact heritage.

Details

Original languageEnglish
Publication statusPublished - Oct 2024
Peer-reviewedYes

Conference

TitleXXI. International Conference on Culture and Computer Science
SubtitleFrom Humanism to Digital Humanities
Abbreviated titleKUI 2024
Conference number21
Duration3 - 4 October 2024
Website
LocationUniversity of Florence
CityFlorence
CountryItaly

External IDs

ORCID /0000-0002-8923-6284/work/170106988
ORCID /0000-0002-3671-1619/work/170107547

Keywords

Research priority areas of TU Dresden

Subject groups, research areas, subject areas according to Destatis