Moving Experiences — Towards a Conceptual Framework for Performative Artefacts in Museums

Publikation: Beitrag zu KonferenzenPaperBeigetragenBegutachtung

Abstract

A challenge for museums is the curation of artefacts whose value and purpose is revealed only through their use or performance. The purpose of a scientific instrument, ritual object or artisanal tool, for example, may only be fully appreciated through their dynamic and interactive qualities. This applies in particular for artefacts that involve artistic or playful performances, such as musical instruments, tools for art making, toys or theatre puppets. However, despite their dynamic nature, conservation practices often necessitate that these objects be displayed in a static, "lifeless" state, detached from their former context and interaction with the audience.
In this work, we review existing conceptual frameworks, technologies and workflows for the digitisation, archiving, representation, and experiencing of performative artefacts. We then introduce the beginning of a conceptual schema designed to aid the planning and execution of performative artefact heritage.

Details

OriginalspracheEnglisch
PublikationsstatusVeröffentlicht - Okt. 2024
Peer-Review-StatusJa

Konferenz

TitelXXI. International Conference on Culture and Computer Science
UntertitelFrom Humanism to Digital Humanities
KurztitelKUI 2024
Veranstaltungsnummer21
Dauer3 - 4 Oktober 2024
Webseite
OrtUniversity of Florence
StadtFlorence
LandItalien

Externe IDs

ORCID /0000-0002-8923-6284/work/170106988
ORCID /0000-0002-3671-1619/work/170107547
ORCID /0000-0002-9268-4854/work/173987971

Schlagworte

Forschungsprofillinien der TU Dresden

Fächergruppen, Lehr- und Forschungsbereiche, Fachgebiete nach Destatis