INTRODUCING A MULTIMODAL DATASET FOR THE RESEARCH OF ARCHITECTURAL ELEMENTS

Research output: Contribution to journalConference articleContributedpeer-review

Contributors

  • J. Bruschke - , University of Würzburg (Author)
  • Cindy Kröber - , Friedrich Schiller University Jena (Author)
  • F. Maiwald - , Friedrich Schiller University Jena (Author)
  • R. Utescher - , Friedrich Schiller University Jena (Author)
  • A. Pattee - , Ludwig Maximilian University of Munich (Author)

Abstract

This article looks at approaches, software solutions, standards, workflows, and quality criteria to create a multimodal dataset including images, textual information, and 3D models for a small urban area. The goal is to improve art historical research on architectural elements relying on the three data entities. A specific dataset with manually created annotations is introduced and made available to the public. The paper provides an overview of the available data and detailed information on the preparation of the different types of data as well as the process of connecting everything through annotations. It mentions the relevance and creation of a controlled vocabulary. Furthermore, point cloud processing as well as neural network approaches are discussed which may replace manual labelling. Another focus is the analysis of linguistic similarities to identify whether annotations are actually connected and therefore relevant. Additionally, research scenarios will highlight the relevance of the approach for art history and the contributions, which come from computer linguistics and computer science.

Details

Original languageEnglish
Pages (from-to)325–331
Number of pages7
JournalInternational Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences
Volume48
Issue numberM-2-2023
Publication statusPublished - 24 Jun 2023
Peer-reviewedYes
Externally publishedYes

External IDs

Scopus 85164674298
Mendeley 4dc78e2e-5324-3d74-82fe-43610d7c9d27

Keywords

Keywords

  • Computer vision, Annotations, Multimodal data, Art history, Artificial intelligence